And another is earning the confidence of the show's producers, who might feel it's risky to execute such a big project without traditional lab services. They had no care that they weren't near any place that had more infrastructure."Ĭioni acknowledges that a key part of getting buy-in for this process was having a director and DP who are willing to work closely with a DIT to make sure color-management tasks are completed correctly on location. We were the post house, right there in the field. It didn't matter that they were nowhere near a post house. "But in a movie like this, we delivered all of the results in the field. "Normally, if you're shooting way outside of L.A., there's a disadvantage to creatives in terms of confidence checking," Cioni said. One challenge was the film's shooting location - production took place in Louisiana, far from the post-production resources of Los Angeles and New York. At the end of the day, they would review everything together after it was finished processing." The DIT, Tim Nagasawa, did incredible work, and Tim mentioned that Gavin wanted a process using our Lily Pad system on set, where he would get notes from Gavin and Don regarding the look and feel of each scene. "You get the benefits of having constant review and feedback, which is how we do things in broadcast. "This is heresy, but it's almost like a broadcast mentality instead of a cinema mentality," Cioni explained. We spoke with Light Iron colorist (and co-founder) Ian Vertovec and CEO Michael Cioni about the challenge.Įnder's Game was Hood's first digitally shot feature, and Cioni remembers him saying that the biggest difference was the prompt arrival of dailies. Post-production services were provided by Light Iron, which implemented a highly efficient color management system on set and in post to bring the ambitious film in on a practical budget. That meant making some visual leaps - for example, the book's blank "battle room" has been re-imagined for the screen as an enormous glass dome with a breathtaking view of the earth below - and some technical ones, too. With a film verson finally in the offing, directed by Gavin Hood ( X-Men Origins: Wolverine), the pressure was on to make impressive iconic imagery out of the book's war-against-the-aliens scenario. Originally published in 1985, the book about Ender Wiggin, a young tactician in Earth's war against alien invaders, became a national best-seller and spawned four direct sequels and more tie-ins. How to Support a Really Big VFX Movie from a Really Small Post Houseįor science-fiction fans of a certain age, the award-winning Ender's Game is a primary text.
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